Closed Eye ImagesDark Garden6 Figures (from a sheet of glass)

A portfolio of 6 prints with title page and colophon.
2016UnEarthingBowl, or, an unlikenessThe Birth Of ThingsTape Print Series9 Glass InsulatorsInk CloudBuilding, or: what do you do with a leaky roof after looking at it for a year?

SfumatoSfumato(After Turner)And Now, Then OtherwiseElsewhere (book of distances)Press Bed Print seriesFiltering Eye/No Object
a sequence in 3 parts
1997Liquid Suspension - Screen (1-12)ClustersLiquid Suspension—Bridge to Bridge (1-16)
title and colophon pages

Rain DrawingsRag Prints
(a series of 9 prints)
1994Video ProfileWriting
My artwork comes out of a practice of looking—a practice shaped by the arousal of attention. Where our attention lands moment to moment, day to day is varied, unpredictable. Art is a practice which is also varied and unpredictable—it traces our lively moments, our days, giving shape to the shapely, drawing us toward the already-drawn nature of the world.

Drawing forms the basis of what I do (whether using print-based, drawing, or photo-based processes). It is my method of making, yet more so, it is the feeling of being drawn toward something else and other than ourselves—it is the reality of desire. It is the momentum of a line that goes from—toward: like a root, a river, a drop of rain, a horizon. All things are, so it seems, both of the world and at a distance from it. Drawing is the desire to be-with.

left: from a dark garden—
exhibition view, SNAP Gallery, Edmonton, AB.